ABOUT BEAUTY
Many move through life in the tension between the desire to be seen and the instinct to merge seamlessly with their surroundings. This dynamic becomes a field of inquiry when viewed through a female perspective, opening a space for forms of beauty that soften the harshness of the external world.
The exploration begins with an attempt to give shape to what resists representation. It draws upon traces of nostalgia and extends into a dialogue with femininity and nature. Nature here functions as a mirror: a surface in which the everyday dissolves and momentary clarity allows new insights to emerge. Beauty acts not merely as an aesthetic quality, but as a guiding principle that shapes thought, emotion, and perception.
A slow, analog process reinforces this orientation. Working by hand creates both silence and focus, and the suspension of time sharpens vision. Within this context, photography becomes less a tool of documentation than a medium of revelation. It allows for the depiction of metamorphosis: movements from invisibility to visibility, from concealment to disclosure.
The resulting images are not representations of something, but autonomous presences, poetic visual rhymes that invite stories to take form within the imagination of the viewer.
